America’s Sketchbook recaptures the drama of nineteenth-century American cultural life, placing at its center a genre—the literary sketch—more available than the novel, less governable by the critical establishment, and shot through with the tensions and types of local and national culture-making.
The poetry of John Matthias has long been admired by other poets for the way it refuses to be categorized. Lyrical and experimental, cosmopolitan and rooted in place, it challenges our received notions of what poetry can be at the end of the twentieth century. This volume introduces the work of this significant American poet to readers previously unfamiliar with it and enriches the reading of those who have long admired it.
Just as mass-market magazines and cheap books have played important roles in the creation of an American identity, those skilled craftsmen (and women) whose careers are the subjects of Ronald Weber's narrative profoundly influenced the outlook and strategies of the high-culture writers who are generally the focus of literary studies.
When James Lane Allen defined the “Feminine Principle” and the “Masculine Principle” in American fiction for the Atlantic Monthly in 1897, he in effect described local color fiction and naturalism, two branches of realism often regarded as bearing little relationship to each other.
Since the publication of The Moral Trollope by Ruth apRoberts in 1971, literary critics have generally agreed that Trollope’s morality is worthy of study. apRoberts sees Trollope as an early exponent of “situation ethics,” a liberal moralist who believes that traditional principles must always bend to the circumstances of the particular case.
This, Professor Roth’s third annotated bibliography of studies on Jane Austen, covers the years 1984–1994. Like the critically acclaimed earlier volumes, it charts the steady growth and enrichment of literary criticism of Austen in the second half of the twentieth century. The first bibliography, which covered the period 1952–1972, contained 794 items; the second, which treated 1973–1983, included over 1,060 pieces; this third work has 1,327 entries.
Colonization, Violence, and Narration in White South African Writing
· André Brink, Breyten Breytenbach, and J. M. Coetzee
· By Rosemary Jane Jolly
The representation of pain and suffering in narrative form is an ongoing ethical issue in contemporary South African literature. Can violence be represented without sensationalistic effects, or, alternatively, without effects that tend to be conservative because they place the reader in a position of superiority over the victim or the perpetrator?
In Sight Unseen radio drama, a genre traditionally dismissed as popular culture, is celebrated as high art. The radio plays discussed here range from the conventional (John Arden’s Pearl) to the docudramatic (David Rudkin’s Cries from Casement), from the curtly conversational (Harold Pinter’s A Slight Ache) to the virtually operatic (Robert Ferguson’s Transfigured Night), testifying to radio drama’s variety and literary stature.
Many of Wilson's writings have been anthologized. But there is another body of work — over fifty fine essays on aspects of contemporary literature and ideas — that have been scattered in a variety of magazines, including The New Yorker, The New Republic, Vanity Fair, and The Nation.
Goslee’s study maintains that Newman’s Anglican writing, although widely considered irrelevant to the main currents of the post-Enlightenment, in fact reinterprets Romantic transcendence within a uniquely dialogic paradigm. It is this paradigm, he argues, that critics need to explore as a link between sacred and secular domains within Victorian culture. Goslee’s own exploration is accomplished in three parts.
Browning’s Fra Lippo Lippi says that we may pass things a hundred times and never see them. One thing that Browning’s readers have passed without seeing, or at least without remarking upon, is the circular conclusion in so many of his poems. Some sixty poems (almost a third of them) have such conclusions. These sixty span his entire career and include both well-known and neglected poems.
Attitudes toward punishment and forgiveness in English society of the nineteenth century came, for the most part, out of Christianity. In actual experience the ideal was not often met, but in the literature of the time the model was important. For novelists attempting to tell exciting and dramatic stories, violent and criminal activities played an important role, and, according to convention, had to be corrected through poetic justice or human punishment.
Alice Walker’s womanist theory about black feminist identity and practice also contains a critique of white liberal feminism. This is the first in-depth study to examine issues of identity and difference within feminism by drawing on Walker’s notion of an essential black feminist consciousness.
Traditionally, the critical reputation of Nobel Prize-winning American novelist John Steinbeck (1902-1968) has rested on his achievements of the 1930s, especially In Dubious Battle (1936), Of Mice and Men (19370, The Long Valley (1938), and, of course, The Grapes of Wrath (1939), one of the most powerful – and arguable on of the greatest – American novels of this century.
Raymond Carver, known in some circles as the “godfather of minimalism,” has been credited by many as the rejuvenator of the once-dying American short story. (See the link on this page to a 2008 Kenyon Review story that discusses the recent controversy over the editing of Carver’s stories.)
Book and Periodical Studies
Comics and Graphic Novel Culture
Literary Criticism, Africa
Literary Criticism, Caribbean
Literary Criticism, Eastern Europe
Literary Criticism, France
Literary Criticism, Latin America
Literary Criticism, Poetry
Literary Criticism, Theater
Literary Criticism, UK
Literary Criticism, US