After a century of critical neglect, poet and writer Amy Levy is gaining recognition as a literary figure of stature. This definitive biography accompanied by her letters, along with the recent publication of her selected writings, provides a critical appreciation of Levy's importance in her own time and in ours.
Throughout the first half of the nineteenth century, America was captivated by a muddled notion of “etymology.” New England Transcendentalism was only one outcropping of a nationwide movement in which schoolmasters across small-town America taught students the roots of words in ways that dramatized religious issues and sparked wordplay. Shaped by this ferment, our major romantic authors shared the sensibility that Friedrich Schlegel linked to punning and christened “romantic irony.”
Metaphysical, agnostic, and ironic with a modernist voice.
The widely divergent voices in this collection are united by their common interest in the American literary heritage and by their intention to redefine that heritage by altering our angle of vision or forcing us to re-examine some traditional values.
Poet, teacher, and critic, Yvor Winters was a man of letters in more ways than one. This selection of his personal correspondence spans half a century of literary history and a lifetime of intellectual development and growth. As a record of a serious artist and thinker's grappling with important issues and, sometimes, with his notable friends, the letters offer new and often unexpected insight into the creative mind at work.
Over the course of his life, Frank Waters amassed a body of work that has few equals in the literature of the American West. Because his was a writing that touched every facet of the Western experience, his voice still echoes throughout that region's literary world. Swallow Press is especially proud to present this generous sampling of Frank Waters's writings. A Frank Waters Reader encompasses the full range of his work and draws from both his nonfiction and his many novels.
In the two decades that have passed since Robert Lowell’s death, Robert Lowell’s Shifting Colors is the first critical survey of the poet's aesthetic efforts to make personal vision and public exhortation cohere and thus combine poetic genres that have been historically discrete.
The story of “Shakespeare’s sister” that Virginia Woolf tells in A Room of One’s Own has sparked interest in the question of the place of the woman writer in the Renaissance. By now, the process of recovering lost voices of early modern women is well under way. But Woolf’s engagement with the Renaissance went deeper than that question indicates, as important as it was.
“If you really want to understand South Africa, read black African writers. Read Es'kia Mphahlele,” is the advice proffered to diplomats and scholars by professor and publisher Donald Herdeck. The irony is that in the past, many of Mphahlele's works were out of print or banned under censorship laws in South Africa from the early 1950s on.
The Culture of Christina Rossetti explores a “new” Christina Rossetti as she emerges from the scrutiny of the particular historical and cultural context in which she lived and wrote. The essays in this collection demonstrate how the recluse, saint, and renunciatory spinster of former studies was in fact an active participant in her society's attempt to grapple with new developments in aesthetics, theology, science, economics, and politics.
The Depression that follows the 1929 stock market crash is emptying Paris of many American expatriates. Two exceptions are Dorothy and James T. Farrell, the naïve young couple who have fled their home in Chicago for the fabled liberation that Paris seems to offer. In this telling account drawn from interviews, diaries, and letters home, Edgar Marquess Branch presents a composite view of the life of a young author yet to complete his masterpiece, Studs Lonigan.
John Ruskin's prominence as the author of “Of Queen's Gardens,” his principal statement of Victorian gender opposition, makes him an ideal example for analyzing the power of mythic discourse to undermine gender division. Here, Ruskin creates a vision of feminine authority that draws simultaneously upon several sources (including the goddess Athena and Queen Victoria herself) to empower women in a worldwide arena redefined as a broader version of their domestic realm.
Shakespeare in Production examines a number of plays in context. Included are the 1936 Romeo and Juliet, unpopular with critics of filmed Shakespeare, but very much a “photoplay” if its time; the opening sequences of filmed Hamlets which span more than seventy years; The Comedy of Errors on television, where production of this script is almost impossible; and the Branagh Much Ado About Nothing, a “popular” film discussed in the context of comedy as a genre.
José María Arguedas (1911–1969) is one of the most important authors to speak to issues of the survival of native cultures. José María Arguedas: Reconsiderations for Latin American Cultural Studies presents his views from multiple perspectives for English-speaking audiences for the first time.
American literary life has been enriched over the past generation by habits of criticism practiced at Amherst College during the tenure of William H. Pritchard. These essays, which were commissioned as a tribute to Pritchard, celebrate his fortieth year at Amherst and demonstrate the breadth of his influence in the fields of theory, criticism, and pedagogy.