H. L. Mencken’s reputation as a journalist and cultural critic of the twentieth century has endured well into the twenty-first. His early contributions as a writer, however, are not very well known. He began his journalistic career as early as 1899 and in 1910 cofounded the Baltimore Evening Sun.
Central Asia has long stood at the crossroads of history. It was the staging ground for the armies of the Mongol Empire, for the nineteenth-century struggle between the Russian and British empires, and for the NATO campaign in Afghanistan. Today, multinationals and nations compete for the oil and gas reserves of the Caspian Sea and for control of the pipelines. Yet “Stanland” is still, to many, a terra incognita, a geographical blank.
Between the 1880s and the 1940s, the region known as British West Africa became a dynamic zone of literary creativity and textual experimentation. African-owned newspapers offered local writers numerous opportunities to contribute material for publication, and editors repeatedly defined the press as a vehicle to host public debates rather than simply as an organ to disseminate news or editorial ideology.
Black and White in Colour: African History on Screen considers how the African past has been represented in a wide range of historical films. Written by a team of eminent international scholars, the volume provides extensive coverage of both place and time and deals with major issues in the written history of Africa. Themes include the slave trade, imperialism and colonialism, racism, and anticolonial resistance.
From a leper colony in India to an American research station on the Antarctic Peninsula, from the back rooms of the White House to the battlefields of Iraq and Afghanistan, Evidence of My Existence tells a unique and riveting story of seventeen years spent racing from one photo assignment to the next. It is also a story of photojournalism and the consequences of obsessive wanderlust. When the book opens, Jim Lo Scalzo is a blur to his wife, her remarkable tolerance wearing thin.
Social commentator and preeminent western historian Bernard DeVoto vigorously defended public lands in the West against commercial interests. By the time of his death in 1955, DeVoto had published criticism, history, and fiction. He had won both the Pulitzer and Bancroft prizes. But his most passionate writing—at once incisive and eloquent—advocated conservation of America’s prairies, rangeland, forests, mountains, canyons, and deserts.
The last decade of the twentieth century brought a maturing of the new racial and ethnic communities in the United States and the emergence of diversity and multiculturalism as dominant fields of discourse in legal, educational, and cultural contexts.
Long famous as a political, social, and cultural gadfly, journalist and essayist H. L. Mencken was unafraid to speak his mind on controversial topics and to express his views in a deliberately provocative manner. Mencken was prolific; much of his best work lies buried in the newspapers and magazines in which it originally appeared.
Every European power in Africa made motion pictures for its subjects, but no state invested as heavily in these films, and expected as much from them, as the British colony of Southern Rhodesia. Flickering Shadows is the first book to explore this little-known world of colonial cinema.
Throughout the 1980s, Barricada, the official daily newspaper of the ruling Sandinista Front, played the standard role of a party organ, seeking the mobilize the Nicaraguan public to support the revolutionary agenda. Beyond the Barricades, however, reveals a story that is both more intriguing and much more complex.
John Reed (1887-1920) is best known as the author of Ten Days That Shook the World and as champion of the communist movement in the United States. Still, Reed remains a writer almost systematically ignored by the literary critical establishment, even if alternately vilified and lionized by historians and by films like Warren Beatty's Reds.
H. L. Mencken was one of the leading literary, social, and cultural critics of the 1910s, '20s, and '30s. However, very few of his literary reviews have been reprinted in any form prior to their appearance in this volume. H. L. Mencken on American Literature presents a comprehensive selection of Mencken's reviews of the leading American writers of his time.
South Africa's Resistance Press is a collection of essays celebrating the contributions of scores of newspapers, newsletters, and magazines that confronted the state in the generation after 1960. These publications contributed in no small measure to reviving a mass movement inside South Africa that would finally bring an end to apartheid.
This extraordinary book had an extraordinary genesis. In July 1973, for the first time in its history, The New York Times Magazine devoted a full issue to a single article: Pulitzer Prize-winning journalist Anthony Lukas's account of the Watergate story to date. Six months later, a second installment ran in another full issue. Later the Times asked him to write still a third issue on the impeachment. This piece never appeared because it was overtaken by Nixon's resignation.