The Woman at Otowi Crossing · By Frank Waters

Based on the real life of Edith Warner, who ran a tearoom at Otowi Crossing, just below Los Alamos, The Woman at Otowi Crossing is the story of Helen Chalmer, a person in tune with her adopted environment and her neighbors in the nearby Indian pueblo and also a friend of the first atomic scientists. The secret evolution of atomic research is a counterpoint to her psychic development.

Cover of 'The Woman at Otowi Crossing'


Flight from Fiesta · By Frank Waters

Frank Waters, whose work has spanned half a century, has continually attempted to depict the reconciliation of opposites, to heal the national wounds of polarization. Flight From Fiesta, Waters’ first novel in nearly two decades, is testimony to that aspiration, emerging as a moving and masterfully–told story of two characters who must discover the potential for common ground between their personalities.

Cover of 'Flight from Fiesta'


Interior Country · Stories of the Modern West · Edited by Alexander Blackburn, Craig Lesley, and Jill Landem

A mile down the road from the Los Alamos Scientific Laboratory, a woman unearths an ancient shard of pottery bearing the thousands-year-old thumbprint of a Navawi'i woman. A marriage is thrown into crisis by the husband's discovery, on a fishing trip, of a girl’s corpse. To impress the prostitute he wants to marry, a man constructs a homemade atomic bomb.

Cover of 'Interior Country'


Flowering Mimosa · By Natalie L. M. Petesch

Flowering Mimosa is a story of lost innocence and coming of age among the disinherited of America in the 1980's. Against a backdrop of social and economic disruption in the American southwest, Petesch traces the fates of the Wingfield family, who have lost their Texas farm and moved to a mining town in Silver Valley, Idaho. As various tensions threaten to break the family apart, Tamsen Wingfield reacts most strongly.

Cover of 'Flowering Mimosa'


The Lizard Woman · By Frank Waters

"The novel was begun in 1926, when I was twenty-four years old and working as a telephone engineer in Imperial Valley, on the California-Baja California border. During my stay there I made a horseback trip down into the little-known desert interior of Lower California. After having lived all of my early years in the high Rockies of California, I was unprepared for the vast sweep of sunstruck desert with its flat wastes, clumps of cacti, and barren parched-rock ranges.

Cover of 'The  Lizard Woman'


Cricket Sings · A Novel of Pre-Columbian Cahokia · By Kathleen King

For Cricket Sings, Cahokia medicine woman, the omens have been bad. She is old, and so at this year’s Sun Ceremony she will tell her stories, the tales handed down from grandparents to grandchildren since the memory of the People began. The Sun King is dying, unable to perfom the Ceremony which will bring good crops to the fields.

Cover of 'Cricket Sings'


From Sleep Unbound · By Andrée Chedid

From Sleep Unbound portrays the life of Samya, an Egyptian woman who is taken at age 15 from her Catholic boarding school and forced into a loveless and humiliating marriage. Eventually sundered from every human attachment, Samya lapses into despair and despondence, and finally an emotionally caused paralysis. But when she shakes off the torpor of sleep, the sleep of avoidance, she awakens to action with the explosive energy of one who has been reborn.

Cover of 'From Sleep Unbound'


Alexander the Great · A Novel · By Nikos Kazantzakis · Translation by Theodora Vasils

In this historical novel based on the life of Alexander the Great, Kazantzakis has drawn on both the rich tradition of Greek legend and the documented manuscripts from the archives of history to recreate an Alexander in all his many-faceted images.

Cover of 'Alexander the Great'


Duncan’s Colony · By Natalie L. M. Petesch

“During the nineteen sixties, following the missile crisis and during the Vietnam War, communitarian societies began to reappear in the United States. Those who were of an invincibly optimistic nature gathered together in agrarian or utopian communes reminiscent of the nineteenth century.

Cover of 'Duncan’s Colony'


The Gunnysack Castle · By Julian Silva

The Gunnysack Castle is principally the story of Vince Woods, and Anglicized Portuguese who rises from the ashes of his childhood dreams to become one of San Oriel’s wealthiest and most powerful citizens. A man of strong lusts and inflexible will, he attempts to manipulate the members of his family just as he does everyone else in the town who comes under his influence. The dynasty he longs to found ends in bitterness with his own demise.

Cover of 'The Gunnysack Castle'


The  Town · By Conrad Richter

In the final novel of Richter’s Awakening Land trilogy, Sayward Wheeler completes her mission and lives to see the transition of her family and her friends, American pioneers, from the ways of wilderness to the ways of civilization. The Town, for which Richter won the Pulitzer Prize in 1951, is a much bigger book in every way than its predecessors; it is itself a rich contribution to literature and with the other novels comprises a great American epic.

Cover of 'The  Town'


The Yogi of Cockroach Court · By Frank Waters

In this novel of the mestizo, or mixed-blood, Frank Waters completes the Southwestern canvas begun in The Man Who Killed the Deer and People of the Valley. Set in a violent Mexican border town, the story centers on Barby, a tormented mestizo, Guadalupe, the mestiza “percentage-girl,” and Tai-Ling, the serene yogi.

Cover of 'The  Yogi of Cockroach Court'


Under a Glass Bell · By Anaïs Nin

Under a Glass Bell is one of Nin's finest collections of stories. First published in 1944, it attracted the attention of Edmond Wilson, who reviewed the collection in The New Yorker. It was in these stories that Nin's artistic and emotional vision took shape.

Cover of 'Under a Glass Bell'




A Spy in the House of Love · By Anaïs Nin

Although Anaïs Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic “distillations” of her secret diaries.

Cover of 'A  Spy in the House of Love'