Set in Appalachian Ohio amid an epidemic of prescription opiate abuse, Michael Henson’s linked collection tells of a woman’s search for her own peculiar kind of redemption, and brings the novel-in-stories form to new heights. Maggie Boylan is an addict, thief, liar, and hustler. But she is also a woman of deep compassion and resilience. The stories follow Maggie as she spirals through her addictive process, through the court system and treatment, and into a shaky new beginning.
Dolly Parton isn’t just a country music superstar. She has built an empire. At the heart of that empire is Dollywood, a 150-acre fantasy land that hosts three million people a year. Parton’s prodigious talent and incredible celebrity have allowed her to turn her hometown into one of the most popular tourist destinations in America.
Weedeater picks up six years after the end of Robert Gipe’s first novel, Trampoline, and continues the story of the people of Canard County, Kentucky, living through the last hurrah of the coal industry and battling with opioid abuse. The events it chronicles are frantic, but its voice is by turns taciturn and angry, filled with humor and grace.
When Deborah Gold and her husband signed up to foster parent in their rural mountain community, they did not foresee that it would lead to a roller-coaster fifteen years of involvement with a traumatized yet resilient birth family. They fell in love with Michael (a toddler when he came to them), yet they had to reckon with the knowledge that he could leave their lives at any time. In Counting Down, Gold tells the story of forging a family within a confounding system.
Chaos. Frustration. Compassion. Desperation. Hope. These are the five words that author Wendy Welch says best summarize the state of foster care in the coalfields of Appalachia. Her assessment is based on interviews with more than sixty social workers, parents, and children who have gone through “the system.” The riveting stories in Fall or Fly tell what foster care is like, from the inside out.
At age twenty, Ada’s reputation as a faith healer defines her in her rural Pennsylvania community. But on the day in 1953 that her family’s barn is consumed by flame, her identity is upended: for the first time, she fears death and doubts God. Fire Is Your Water, acclaimed memoirist Jim Minick’s first novel, builds on magical realism and social observation to offer an insider’s glimpse into the culture of Appalachia.
The seventeen narratives of The Common Lot and Other Stories, published in popular magazines across the United States between 1908 and 1921 and collected here for the first time, are driven by Emma Bell Miles’s singular vision of the mountain people of her home in southeastern Tennessee. That vision is shaped by her strong sense of social justice, her naturalist’s sensibility, and her insider’s perspective.
In essays that take wide-ranging forms—ideal for creative nonfiction classes—established and emerging writers with roots in Appalachia take on the theme of silencing in Appalachian culture. They write about families left behind, hard-earned educations, selves transformed, identities chosen, and risks taken.
Organized around the life histories, medical struggles, and recollections of Otis Trotter and his thirteen siblings, Keeping Heart is a personal account of an African American family’s journey north during the second Great Migration.
Scholars of southern Appalachia have largely focused their research on men, particularly white men. The essays of Women of the Mountain South debunk the entrenched stereotype of Appalachian women as poor and white, and shine a long-overdue spotlight on women too often neglected in the history of the region.
When Dawn Jewell—fifteen, restless, curious, and wry—joins her grandmother’s fight against mountaintop removal mining in spite of herself, she has to decide whether to save a mountain or save herself; be ruled by love or by anger; remain in the land of her birth or run for her life. Inspired by oral tradition and punctuated by Gipe’s raw and whimsical drawings Trampoline is a powerful portrait of a place.
Every River on Earth: Writing from Appalachian Ohio includes some of the best regional poetry, fiction, and creative nonfiction from forty contemporary authors such as David Baker, Don Bogen, Michelle Burke, Richard Hague, Donald Ray Pollock, and others.
Previously examined only by a handful of scholars, the journals of Emma Bell Miles (1879–1919) contain poignant and incisive accounts of nature and a woman’s perspective on love and marriage, death customs, child raising, medical care, and subsistence on the land in southern Appalachia in the early twentieth century.
Residents of the Appalachian coalfields share a history and heritage, deep connections to the land, and pride in their own resilience. These same residents are also profoundly divided over the practice of mountaintop mining. Looking beyond the slogans and seemingly irreconcilable differences, however, can reveal deeper causes of conflict.