Resisting Regionalism · Gender And Naturalism In American Fiction, 1885-1915 · By Donna Campbell

When James Lane Allen defined the “Feminine Principle” and the “Masculine Principle” in American fiction for the Atlantic Monthly in 1897, he in effect described local color fiction and naturalism, two branches of realism often regarded as bearing little relationship to each other.

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The Poems of J. V. Cunningham · Edited by Timothy Steele

The lifework in verse of one of the century's finest and liveliest American poets, this collection of the poems of J. V. Cunningham (1911-85) documents the poet's development from his early days as an experimental modernist during the Depression to his emergence as the master of the classical “plain style”—distinguished by its wit, feeling, and subtlety.

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Recollections of Anaïs Nin · By Her Contemporaries · Edited by Benjamin Franklin V

Recollections of Anaïs Nin presents Nin through the eyes of twenty-six people who knew her. She is the unconventional, distant aunt; the thoughtful friend; the owner of a strangely disarming voice; the author eager for attention yet hypersensitive to criticism; the generous advisor to a literary magazine; the adulteress; the beautiful septuagenarian; the recommender of books—the contributors elaborate on thses and many other perceptions of Nin.

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The Immigrant Train · And Other Stories · By Natalie L. M. Petesch

In this short story collection, acclaimed author Natalie Petesch reaffirms for us our enduring debt to millions of immigrants who helped build America.

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The Complete American Fantasies · By James Schevill

“Fantasies to me, as I wrote in an earlier 1983 edition of American Fantasies, are the active, visionary links between reality and imagination as my characters pursue their destinies. Although we pretend to be a pragmatic, materialistic country, our fantasies, once suppressed by tradition, peer increasingly through the media into our private and public behavior.

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Cities of the Interior · By Anaïs Nin

Ladders to Fire, Children of the Albatross, The Four-Chambered Heart, A Spy in the House of Love, Seduction of the Minotaur. Haunting and hypnotic, these five novels by Anaïs Nin began in 1946 to appear in quiet succession. Though published separately over the next fifteen years, the five were conceived as a continuous experience—a continuous novel like Proust's, real and flowing as a river.

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Booking Pleasures · By Jack Matthews

“The covetous foraging for old and rare books,” is how Matthews defines “booking.” It is an act which leads naturally to the pleasures of adding them to one's personal library, then reading them as instruments of light and measure in a murky and chaotic world.

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Sight Unseen · Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio · By Elissa S. Guralnick

In Sight Unseen radio drama, a genre traditionally dismissed as popular culture, is celebrated as high art. The radio plays discussed here range from the conventional (John Arden’s Pearl) to the docudramatic (David Rudkin’s Cries from Casement), from the curtly conversational (Harold Pinter’s A Slight Ache) to the virtually operatic (Robert Ferguson’s Transfigured Night), testifying to radio drama’s variety and literary stature.

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From the Uncollected Edmund Wilson · By Edmund Wilson · Edited by Janet Groth

Many of Wilson's writings have been anthologized. But there is another body of work — over fifty fine essays on aspects of contemporary literature and ideas — that have been scattered in a variety of magazines, including The New Yorker, The New Republic, Vanity Fair, and The Nation.

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Womanist and Feminist Aesthetics · A Comparative Review · By Tuzyline Jita Allan

Alice Walker’s womanist theory about black feminist identity and practice also contains a critique of white liberal feminism. This is the first in-depth study to examine issues of identity and difference within feminism by drawing on Walker’s notion of an essential black feminist consciousness.

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After the Grapes of Wrath · Essays on John Steinbeck in Honor of Tetsumaro Hayashi · Edited by Donald V. Coers, Robert DeMott, and Paul D. Ruffin · Introduction by Warren G. French

Traditionally, the critical reputation of Nobel Prize-winning American novelist John Steinbeck (1902-1968) has rested on his achievements of the 1930s, especially In Dubious Battle (1936), Of Mice and Men (19370, The Long Valley (1938), and, of course, The Grapes of Wrath (1939), one of the most powerful – and arguable on of the greatest – American novels of this century.

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Stories of Raymond Carver · A Critical Study · By Kirk Nesset

Raymond Carver, known in some circles as the “godfather of minimalism,” has been credited by many as the rejuvenator of the once-dying American short story. (See the link on this page to a 2008 Kenyon Review story that discusses the recent controversy over the editing of Carver’s stories.)

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Sometimes I’m Happy · A Writer’s Memoir · By Marshall Sprague

Marshall Spragues colorful lifetime spanned the century like a mountain rainbow. Somewhere between the time he learned the true function of the umbrella stand in the Midwest Victorian household of his youth and his first solo train ride to New York City, he surrendered to an innate talent and inquisitiveness that subsequently engaged tens of thousands of his friends and readers. He played the Tiger Rag with a Princeton band on transatlantic steamer crossings.

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Swimming At Midnight · Selected Shorter Poems · By John Matthias

Swimming at Midnight collects the short and middle-length poems from John Matthias’s earlier books together with twenty poems that have previously appeared only in magazines. It is published simultaneously with Beltane at Aphelion, which includes all of Matthias’s longer poems. The two books together represent some thirty years of his work.

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Beltane at Aphelion · Longer Poems · By John Matthias

Beltane at Aphelion collects all of John Matthias's longer poems and is published simultaneously with Swimming at Midnight, which collects his shorter poems.

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