Valérie K. Orlando
Valérie K. Orlando is professor of French and Francophone Literatures in the Department of French and Italian at the University of Maryland, College Park.
Since 1999 and the death of King Hassan II, Morocco has experienced a dramatic social transformation. Encouraged by the more openly democratic climate fostered by young King Mohammed VI, filmmakers have begun to explore the sociocultural and political debates of their country while also seeking to document the untold stories of a dark past. Screening Morocco: Contemporary Film in a Changing Society focuses on Moroccan films produced and distributed from 1999 to the present.
Between Sea and Sahara gives us Algeria in the third decade of colonization. Written in the 1850s by the gifted painter and extraordinary writer Eugene Fromentin, the many-faceted work is travelogue, fiction, stylized memoir, and essay on art. Fromentin paints a compelling word picture of Algeria and its people, questioning France’s—and his own—role there.
Contemporary French writing on the Maghreb—that part of Africa above the Sahara—is truly postmodern in scope, the rich product of multifaceted histories promoting the blending of two worlds, two identities, two cultures, and two languages. Nomadic Voices of Exile demonstrates how that postmodern sentiment has altered perceptions concerning Maghrebian feminine identity since the end of the French-colonial era.
A penetrating, accessible portrait of the activist whose execution galvanized the world.
Nation on Board
Becoming Nigerian at Sea
Schler’s study of Nigerian seamen during Nigeria’s transition to independence provides a fresh perspective on the meaning of decolonization for ordinary Africans.
Culture and Money in the Nineteenth Century
Since the 1980s, scholars have made the case for examining nineteenth-century culture — particularly literary output — through the lens of economics.
Veteran Narratives and the Collective Memory of the Vietnam War
In the decades since the Vietnam War, veteran memoirs have influenced Americans’ understanding of the conflict. Yet few historians or literary scholars have scrutinized how the genre has shaped the nation’s collective memory of the war and its aftermath.
Tales of the Metric System
Imraan Coovadia takes his homeland’s transition from imperial to metric measurements as his catalyst, holding South Africa up to the light and examining it from multiple perspectives, his sere, direct sentences lighting a fire as he parses South Africa across the decades, from 1970 into the present.