Valérie K. Orlando
Valérie K. Orlando is professor of French and Francophone Literatures in the Department of French and Italian at the University of Maryland, College Park.
Since 1999 and the death of King Hassan II, Morocco has experienced a dramatic social transformation. Encouraged by the more openly democratic climate fostered by young King Mohammed VI, filmmakers have begun to explore the sociocultural and political debates of their country while also seeking to document the untold stories of a dark past. Screening Morocco: Contemporary Film in a Changing Society focuses on Moroccan films produced and distributed from 1999 to the present.
Between Sea and Sahara gives us Algeria in the third decade of colonization. Written in the 1850s by the gifted painter and extraordinary writer Eugene Fromentin, the many-faceted work is travelogue, fiction, stylized memoir, and essay on art. Fromentin paints a compelling word picture of Algeria and its people, questioning France’s—and his own—role there.
Contemporary French writing on the Maghreb—that part of Africa above the Sahara—is truly postmodern in scope, the rich product of multifaceted histories promoting the blending of two worlds, two identities, two cultures, and two languages. Nomadic Voices of Exile demonstrates how that postmodern sentiment has altered perceptions concerning Maghrebian feminine identity since the end of the French-colonial era.
Lincoln, Congress, and Emancipation
“When Lincoln took office, in March 1861, the national government had no power to touch slavery in the states where it existed. Lincoln understood this, and said as much in his first inaugural address, noting: ‘I have no purpose, directly or indirectly, to interfere with the institution of slavery in the States where it exists.’”
The Crisis of Meaning and the Life-World
Husserl, Heidegger, Arendt, Patočka
Učník examines the existential conflict that formed the focus of Edmund Husserl’s final work: how to reconcile scientific rationality with the meaning of human existence. To investigate this conundrum, she places Husserl in dialogue with three of his most important successors: Martin Heidegger, Hannah Arendt, and Jan Patočka.
Driven toward Madness
The Fugitive Slave Margaret Garner and Tragedy on the Ohio
The story of Margaret Garner—the runaway slave who, when confronted with capture, slit the throat of her toddler daughter rather than have her face a life in slavery—has inspired Toni Morrison’s Beloved, a film based on the novel starring Oprah Winfrey, and an opera.
Drawing on the Victorians
The Palimpsest of Victorian and Neo-Victorian Graphic Texts
Late nineteenth-century Britain experienced an unprecedented explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of images—illustrated books, periodicals, cartoons, comics, and ephemera—to a mass readership.
Winter of Artifice
Swallow Press’s reissue of Winter of Artifice, with a new introduction by Laura Frost, presents an important opportunity to consider anew the work of Anaïs Nin who laid the groundwork for later writers, but whom critics frequently dismiss as solipsistic or overblown.