Sharon Hatfield is an award-winning journalist and nonfiction writer. Her interest in Appalachian letters and history led to her writing Never Seen the Moon: The Trials of Edith Maxwell and coediting An American Vein: Critical Readings in Appalachian Literature. She lives in Athens, Ohio, with her husband.
Listed in: Fiction · Appalachian Studies · Spiritualism · History of Religion · American History, Midwest · American Literature · Creative Nonfiction · American Studies · Ohio and Regional · Literary Studies · Literary Criticism, US
In Enchanted Ground, Sharon Hatfield brings to life the true story of a nineteenth-century farmer-turned-medium, Jonathan Koons, one of thousands of mediums throughout the antebellum United States. In the hills outside Athens, Ohio, Koons built a house where it was said that the dead spoke to the living, and where ancient spirits communicated the wisdom of the ages.
“This is a marvelous book. It reads like a novel or a screenplay but also functions as a prism that opens up into dozens of other important aspects of nineteenth-century American religion: spiritualism, Johnny Appleseed, Swedenborgianism, atheism, social reform, women’s rights, psychometry, and so on. Perhaps most significantly of all, the author’s rare combination of humanistic sympathy, intellectual generosity, and healthy doubt is a model of what this kind of historiography can be.”
Jeffrey J. Kripal, author of Secret Body: Erotic and Esoteric Currents in the History of Religions
The blossoming of Appalachian studies began some thirty years ago. Thousands of young people from the hills have since been made aware of their region's rich literary tradition through high school and college courses. An entire generation has discovered that their own landscapes, families, and communities had been truthfully portrayed by writers whose background was similar to their own.
“An American Vein succeeds where many southern scholarly studies fail, by considering the work of (Lee) Smith, (Fred) Chappell, and a host of other writers, living and dead, as embodiments of the mountain cultures that produced them.... The book's content is highly varied, rich, and sturdy.”
The Sewanee Review