Mukoma Wa Ngugi is an assistant professor of English at Cornell University and the author of Nairobi Heat, Black Star Nairobi, and Hurling Words at Consciousness. In 2014, Buchkultur named the German translation of Nairobi Heat the Crime Book of the Season. In 2009, Mukoma was short-listed for the Caine Prize for African Writing and in 2010 for the Penguin Prize for African Writing for his manuscript The First and Second Books of Transition, which became Mrs. Shaw.
In the fictional East African Kwatee Republic of the 1990s, the dictatorship is about to fall, and the nation’s exiles are preparing to return. One of these exiles, a young man named Kalumba, is a graduate student in the United States, where he encounters Mrs. Shaw, a professor emerita and former British settler who fled Kwatee’s postcolonial political and social turmoil.
With vision, hard-nosed judgment, and biting humor, Julius Nyerere confronted the challenges of nation building in modern Africa. Constructing Tanzania out of a controversial Cold War union between Tanganyika and Zanzibar, Nyerere emerged as one of independent Africa’s most influential leaders.
Waste of Timelessness and Other Early Stories
Written when Anaïs Nin was in her twenties and living in France, the stories collected in Waste of Timelessness contain many elements familiar to those who know her later work as well as revelatory, early clues to themes developed in those more mature stories and novels.
Madagascar and the Provisioning Trade, 1600–1800
Between 1600 and 1800, the promise of fresh food attracted more than seven hundred English, French, and Dutch vessels to Madagascar. Throughout this period, European ships spent months at sea in the Atlantic and Indian Oceans, but until now scholars have not fully examined how crews were fed during these long voyages.
The Unexpurgated Diary of Anaïs Nin, 1947–1955
Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented.
In this concise biography, ideally suited for the classroom, Adekeye Adebajo seeks to illuminate former South African president Thabo Mbeki’s contradictions and situate him in a pan-African pantheon.