Miroslava Prazak is a scholar of economic development and cultural change in East Africa. Employing multidisciplinary research strategies, her work addresses globalization; inequality; social, health, and human rights issues; culturally based ways of knowing; gender-based violence; and politics of the body. She teaches anthropology and African studies at Bennington College.
Why do female genital cutting practices persist? How does circumcision affect the rights of girls in a culture where initiation forms the lynchpin of the ritual cycle at the core of defining gender, identity, and social and political status? In Making the Mark, Miroslava Prazak follows the practice of female circumcision through the lives and activities of community members in a rural Kenyan farming society as they decide whether or not to participate in the tradition.
Waste of Timelessness and Other Early Stories
Written when Anaïs Nin was in her twenties and living in France, the stories collected in Waste of Timelessness contain many elements familiar to those who know her later work as well as revelatory, early clues to themes developed in those more mature stories and novels.
With vision, hard-nosed judgment, and biting humor, Julius Nyerere confronted the challenges of nation building in modern Africa. Constructing Tanzania out of a controversial Cold War union between Tanganyika and Zanzibar, Nyerere emerged as one of independent Africa’s most influential leaders.
The Unexpurgated Diary of Anaïs Nin, 1947–1955
Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented.
Madagascar and the Provisioning Trade, 1600–1800
Between 1600 and 1800, the promise of fresh food attracted more than seven hundred English, French, and Dutch vessels to Madagascar. Throughout this period, European ships spent months at sea in the Atlantic and Indian Oceans, but until now scholars have not fully examined how crews were fed during these long voyages.
Former South African president Thabo Mbeki is a complex figure.