Edward J. Olszewski is emeritus professor of art history at Case Western Reserve University in Cleveland, Ohio. He has published numerous books and articles on topics from Praxiteles to Renaissance master drawings, late Roman Baroque patronage, and the art of Goya, Degas, and Picasso.
In 1985, the Sohio oil company commissioned Claes Oldenburg and Coosje van Bruggen to design and construct a large outdoor sculpture for its new corporate headquarters in Cleveland, Ohio. The result was Free Stamp, a bold and distinctive installation that captured both a Pop Art sensibility and a connection to the city’s industrial past. Sohio executives approved the design, and work was already underway, when British Petroleum acquired the company.
With vision, hard-nosed judgment, and biting humor, Julius Nyerere confronted the challenges of nation building in modern Africa. Constructing Tanzania out of a controversial Cold War union between Tanganyika and Zanzibar, Nyerere emerged as one of independent Africa’s most influential leaders.
Waste of Timelessness and Other Early Stories
Written when Anaïs Nin was in her twenties and living in France, the stories collected in Waste of Timelessness contain many elements familiar to those who know her later work as well as revelatory, early clues to themes developed in those more mature stories and novels.
Madagascar and the Provisioning Trade, 1600–1800
Between 1600 and 1800, the promise of fresh food attracted more than seven hundred English, French, and Dutch vessels to Madagascar. Throughout this period, European ships spent months at sea in the Atlantic and Indian Oceans, but until now scholars have not fully examined how crews were fed during these long voyages.
The Unexpurgated Diary of Anaïs Nin, 1947–1955
Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented.
In this concise biography, ideally suited for the classroom, Adekeye Adebajo seeks to illuminate former South African president Thabo Mbeki’s contradictions and situate him in a pan-African pantheon.