David Sanders, who as director of Swallow Press resurrected its legacy of publishing some of the finest formal poets in the world, is the general editor of the Hollis Summers Poetry Prize and the founding editor of Poetry News in Review. His poems and translations have appeared in numerous journals and anthologies, and his work has been compiled in two limited-edition collections, Nearer to Town and Time in Transit.
The poems of Compass and Clock take their inspiration from the intersection of the natural world and the human, exploring the landscapes in which those intersections occur. Those landscapes range from David Sanders’s native midwestern countryside to the caves of Lascaux and an enchanted lake where relics of lost lives are washed ashore.
With vision, hard-nosed judgment, and biting humor, Julius Nyerere confronted the challenges of nation building in modern Africa. Constructing Tanzania out of a controversial Cold War union between Tanganyika and Zanzibar, Nyerere emerged as one of independent Africa’s most influential leaders.
Waste of Timelessness and Other Early Stories
Written when Anaïs Nin was in her twenties and living in France, the stories collected in Waste of Timelessness contain many elements familiar to those who know her later work as well as revelatory, early clues to themes developed in those more mature stories and novels.
Madagascar and the Provisioning Trade, 1600–1800
Between 1600 and 1800, the promise of fresh food attracted more than seven hundred English, French, and Dutch vessels to Madagascar. Throughout this period, European ships spent months at sea in the Atlantic and Indian Oceans, but until now scholars have not fully examined how crews were fed during these long voyages.
The Unexpurgated Diary of Anaïs Nin, 1947–1955
Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented.
In this concise biography, ideally suited for the classroom, Adekeye Adebajo seeks to illuminate former South African president Thabo Mbeki’s contradictions and situate him in a pan-African pantheon.