Benjamin Franklin V is Professor of English at the University of South Carolina. He has published widely in early American literature and edits Literary Criticism in Perspective for Camden House. He is co-author of Anaïs Nin: An Introduction (1979) and is a long-time jazz writer and broadcaster.
Listed in: Women Authors · Biography · Gender Studies · Literary Fiction · American Literature · Diaries and Journals · Women’s Studies · Literary Studies · Anaïs Nin
Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented. It was not until decades later, when the diaries were published in their unexpurgated form, that the world began to learn the full details of Nin’s fascinating life and the emotional and literary high-wire acts she committed both in documenting it and in defying the mores of 1950s America.
“Trapeze gives us the iconic writer leading a teetering, emotionally jet-fueled existence, torn between her attachment to her husband of decades and her passion for a much younger lover. The intense, intimate portrait of the woman behind the mysterious Nin legend—and all the hunger and charm and deception that comprised this high-wire act of a life—makes addictive reading indeed.”
Janet Fitch, author of White Oleander and Paint It Black: A Novel
Anaïs Nin’s Ladders to Fire interweaves the stories of several women, each emotionally inhibited in her own way: through self-doubt, fear, guilt, moral drift, and distrust. The novel follows their inner struggles to overcome these barriers to happiness and wholeness. The author’s own experiences, as recorded in her famous diaries, supplied the raw material for her fiction. It was her intuitive, experimental, and always original style that transformed one into the other.
“Anaïs Nin writes sensitively, with psychological training as well as insight…. She has a subcutaneous interest in her characters and Lawrence’s sixth sense.”
Times Literary Supplement
Recollections of Anaïs Nin presents Nin through the eyes of twenty-six people who knew her. She is the unconventional, distant aunt; the thoughtful friend; the owner of a strangely disarming voice; the author eager for attention yet hypersensitive to criticism; the generous advisor to a literary magazine; the adulteress; the beautiful septuagenarian; the recommender of books—the contributors elaborate on thses and many other perceptions of Nin.